The best argument for celluloid you'll ever encounter.
Disjointed shot / reverse shots, adults unable to look at each other and therefore themselves. Trust in oneself as manifested in how we see ourselves reflected in strangers' eyes. One of the great relationship films—made unique and special by its focus that keeps us in a brisk trajectory of a love life freed from context and tropes. Denis, one of the true existential filmmakers, whose films seem to exist not as questions nor messages but in the space of living itself.