All That Heaven Allows ★★★★½

God, the production design and cinematography, yes, and the withering portrait of repressive values, but sometimes I think that the artistic virtues of Sirk, of which there are many, are stressed as a means of justifying his chosen field of women's pictures, when even on a script level this is such a compelling movie, and so forcefully acted that its subtext, however key to the picture, is still the subtext under a direct swirl of emotions. It's all great, is what I'm saying. Why has it taken me so long to really dig into Sirk?