It's hard to examine in this unfinished state, but I'm glad to see it at all. If you're familiar with Bakshi's classic '70s and early '80s films, you know to expect some problematic if intriguing elements.
I love parts of this production, especially the tone and the collage backgrounds. Even half-finished, his cut and pasted city streets look incredible.
If anyone has proven they deserve whatever funds they need for a feature, it's Bakshi. I hope he continues to create in whatever man
medium he finds most satisfying.